30 August 2010

Liz Hingley : Under Gods

Burning Boy Press with its partner Photo Online is pleased to announce that Liz Hingley, the award winning British photographer, has completed printing of her series, "Under Gods," which explores multi-faith suburban communities.

(Above, Polish Carol Singers).

Her suite of more than a dozen photographs, printed in Paris under the careful guidances of Mariela Cadiz, will debut with Picturetank in Perpignan, France (August 28 - September 11, 2010).  With the exhibition, ZOOMORPHISMES & autres histoires naturelles, Hingley joins Pietro Paolini / TerraProject, Marc Cellier, and Bruno Fert at the Muséum d'histoires naturelles in Perpignan, France. Interventions and installations will also be presented by Studio Public, Ludo & Ludo and Agence Future.

"We produced 17 images for Liz for the exhibition in Perpigan," says Mariela. "I think the work is beautiful and the series shows the various facets of religion in every day life."

The series of Pigment prints were produced on Fujifilm Fine Art Fibre Baryte Gloss, 310 g; each measures 40 x 26 cm.

Liz Hingley's work intimately documents political and social issues, with a particular interest in alternative modes of community living. The series touches upon all manner of faith in and around Soho in London. One work documents a man's tattoos – Sanskrit writings all up and down his arms and chest; others show women in traditional garb at a Sikh wedding, a Minba chair at a Pakistani mosque, a baptism at the Canon Street Baptist Church. (Image above, right: Thai Temple Maintenance.)

Liz Hingley has also lectured at Colleges, Universities and Galleries in the UK including London College of Communication and the National Portrait Gallery.

ZOOMORPHISMES & autres histoires naturelles will take place at the Muséum d'Histoire Naturelles in Perpignan. 12 rue Fontaine-Neuve 66000 - Perpignan

Contact Burning Boy Press for all information concerning high-quality photographic ink jet printing in Paris. Click: Burning Boy Press for information.

26 August 2010

Matthew Rose's YOU-->ME : A Silkscreen Edition

You ––> Me : Silkscreen print, after collage, 47.5 x 38 cm, three colors, on Arches Rives, 300 gram paper. Edition: 100. All prints are signed and numbered.  Some 20 artist proofs were also produced on a variety of fine art papers, along with several prints on fine art papers in gold, silver, and pink.

The print is a little piece of visual poetry, a sort of lexical love song, a Valentine.

The print was published by Burning Boy Press. Burning Boy Press produces mostly high-quality digital prints in Paris.

The original collage, measures 47.5 x 38 cm, dates from 1999 and was exhibited in Berlin at Galerie Tristesse (2006) and in Paris at Bernard Matussière (2009), the original is available for purchase. [Contact for price].

You ––> Me, 2010, was printed at Michel Hosszù's atelier in Paris in a single day.  Photograph of Michel Hosszù (below) taken in front of his massive silkscreen piece "Grimaces" in his studio in the Bastille section of Paris.

Michel Hosszù designed the screens for printing using three separate colors – two shades of gray and one final black.  Together we moved through the edition, racking up the pieces (photo, right), finally playing with the registration for some of the proofs and off-edition works at the end of the day.  The gold, silver and pink pieces were spray painted prior to printing. Two pieces – one gold, one silver – were printed on A3-sized canvases.

Of note: As a boy I was often working with my father in Queens, New York, producing silkscreens for his retail clients.  The screens – some as large as four meters wide and with as many as 28 colors – were beautiful in themselves.  The variety of paints and lacquers and the teamwork needed to pull the giant squeegee across such a giant screens remain potent images in my mind about the process of reproducing images. There is a gorgeous (although somewhat toxic) perfume involved in silkscreening.

As a teenager, I held many jobs in the silkscreen shop, from stretching the dylon fabric over the frames to spreading out the emulsion, position the frame for printing, then blotting out the tiny holes left after the UV printing lamp hit the acetate positive with the image.  Back then the image silhouettes were often cut out of ruby lith, and not punched out of a laser printer via Photoshop file.  It's a process that combines photography, handiwork, low end technology, but with spectacular results.  Sadly, a great deal of silkscreen production has been taken over by digital printing; and while both are wonderful, there is nothing like the creation of a silkscreen print. It's beautiful and delightfully messy.

The YOU --> ME prints are available through Keep Calm Gallery while a few will also be available at my exhibition SCARED BUT FRESH at Orange Dot Gallery in London on October 6, 2010.  

To purchase a YOU --> ME print, please contact Keep Calm Gallery, by clicking here.